Shiv Kumar Batalvi
 | |
|---|---|
| Born | Shiv Kumar 23 July 1937 Bara Pind Lohtian, Zafarwal Tehsil, Punjab British India (Present day Pakistan) |
| Died | 6 May 1973 (aged 35) Kir Mangyal, Pathankot, India |
| Occupation | Poet, author, playwright |
| Nationality | Indian Punjabi |
| Period | 1937–1973 |
| Genre | poetry, prose, play |
| Subject | Pathos, passion, |
| Literary movement | Romanticism |
| Notable works | Loona (1965) |
Shiv Kumar Batalvi (23 July 1936 – 6 May 1973) was
a Punjabi language poet, who was most known for his romantic poetry, noted for its heightened passion, pathos, separation and lover's agony.
a Punjabi language poet, who was most known for his romantic poetry, noted for its heightened passion, pathos, separation and lover's agony.
He became the youngest recipient of the Sahitya Akademi Award in 1967, given by Sahitya Akademi (India's National Academy of Letters), for his epic verse play based on the ancient legend of Puran Bhagat, Loona (1965),[3] now considered a masterpiece in modern Punjabi literature, and which also created a new genre, of modern Punjabi kissa. Today, his poetry stands in equal footing, amongst that by stalwarts of modern Punjabi poetry, like Mohan Singh (poet) and Amrita Pritam, all of whom are popular on both sides of Indo-Pakistan border.
Biography
Shiv Kumar was born on 23 July 1936 (though a few documents related to him state 8 October 1937) in village Bara Pind Lohtian, Shakargarh Tehsil, Sialkot District (now in Punjab province, Pakistan), to Pandit Krishan Gopal, village tehsildar in the revenue department, and Shanti Devi, a housewife.
In 1947, when he was aged 11, his family moved to Batala Gurdaspur district after partition of India, where his father continued his work as a patwari and young Shiv received his primary education. Allegedly, he was a dreamy child, often vanishing for the duration of the day, to be found lying under trees by the riverbank close to the Mandir or Hindu temple outside the village, lost in a brown reverie. He appears to have been fascinated by local renditions of the Hindu epic Ramayana, as well as wandering minstrel singers, snake charmers and the like – which feature as metaphors in his poetry, giving it a uniquely rural flavour.
Education
He completed his matriculation in 1953, from Punjab University, and enrolled in the F.Sc. program at Baring Union Christian College, Batala, though before completing his degree he moved to S.N. College, Qadian, where he joined the Arts program more suited to his persona, though he left that too in the second year. Thereafter he joined a school at Baijnath, Himachal Pradesh to do a diploma in Civil Engineering, here again he left it in the middle. Next he studied for some time at Govt. Ripudaman College, Nabha.
Youngest recipient of Sahitya Akademi Award
Later in life, his father got a job as patwari at Qadian, it was during this period, that he produced some of his best work. His first anthology of poems was published in 1960, titled Piran da Paraga (The Scarf of Sorrows), which became an instant success. Some senior writers of Batala, including Jaswant Singh Rahi, Kartar Singh Balgan and Barkat Ram Yumman, as the saying goes, took him under their wings. In 1965, he became the youngest recipient of the Sahitya Akademi Award in 1967, for his magnum opus, a verse playLoona (1965). His poetry recitations, and singing his own verse, made him and his work even more popular amongst the masses.
Soon after his marriage, in 1968, he shifted to Chandigarh, where he joined the State Bank of India, as a PRO. In the following years, bad health plagued him, though he continued to write prolifically.
Love life
He met a girl named Maina at a fair in Baijnath. When he went back to look for her in her hometown, he heard the news of her death and wrote his elegy Maina. This episode was to prefigure numerous other partings that would serve as material to distil into poems. Perhaps the most celebrated such episode is his fascination for Gurbaksh Singh Preetlari's daughter who left for the US and married someone else. When he heard of the birth of her first child, Shiv wrote 'Main ek shikra yaar banaya', perhaps his most famous love poem. It's said that when she had her second child, someone asked Shiv whether he would write another poem. Shiv replied "Have I become responsible for her? Am I to write a poem on her every time she gives birth to a child?" That lady love is still alive (as in 2017) and leading a sad and melancholy life far away from India. During a recent visit to India she confided in a close friend that Shiv holds a special place in her heart and she also finds the image of Shiv in some distant stars. She doesn't wish to open the old chapters due to sensitivites of two families involved in it.
Personal life
On 5 February 1967 he married, Aruna, a Brahmin girl from his own caste (in likely arranged marriage). She is from Kirri Mangyal, Gurdaspur district, and later the couple had two children, Meharban (1968) and Puja (1969).
The Trip to England
In May 1972, Shiv visited England on the invitation of Dr. Gupal Puri and Mrs. Kailash Puri He had been looking forward to his first trip abroad as a welcome relief from the drudgery of his life in Chandigarh. When he arrived in England, his popularity and fame had already reached a high point among the Punjabi community. His arrival was announced in the local Indian papers with headlines and pictures. [Takhar. Int. 2002]. He spent a busy time in England. A number of public functions and private parties were arranged in his honour where he recited his poetry. Dr. Gupal Puri arranged the first large function in Coventry, near London, to welcome Shiv. A large number of his fans and Punjabi poets, including Santokh Singh Santokh, Kuldip Takhar and Tarsem Purewal and many others attended this function. Another large gathering was organised at Rochester (Kent) in his honour. The famous artist S. Sobha Singh was also present who had travelled on his own expense to see Shiv. His engagements in England were regularly reported in the local Indian media and the BBC Television once interviewed him. While Punjabi community got their opportunity to listen to Shiv on various occasions, his stay in London proved to be the last straw for his failing health. He would stay late and continue to drink until 2:00 or 2:30 in the morning at parties or at home engaged in discussions with his hosts and other people who would come to visit him. He would wake up after a short sleep around 4:00 A.M. and begin his day by again taking a couple of sips of Scotch.[Kaur 1998].
The Final Days
When Shiv returned from England in September 1972, his health had declined visibly. He was now bitterly complaining about the undue criticism of his poetry by the progressive and leftist writers. He openly started talking about his disappointment at the unjustified condemnation of his poetry. [Gargi 2000 ‘Surme Walee Akhah’ ]. Within a couple of months after his return from England, his health started sinking, never to recover again. He was in a dire financial predicament during those days and felt that most of his friends had deserted him in his time of need. His wife, Aruna, somehow managed to get him admitted in a hospital in Sector 16 of Chandigarh where he received treatment for a few days. A couple of months later, he was admitted in a hospital in Amritsar, but left it on his own against the advice of his doctors. He didn’t want to die in a hospital and simply walked out of the hospital and went to his family home in Batala. He was later shifted to the village of his in-laws, Kiri Mangial, a small village near the border with Pakistan. Shiv Kumar Batalvi died in Kiri Mangial during the early morning hours of 6 May 1973.
Death
Shiv Kumar Batalvi's health deteriorated in Kiri Mangial during the early morning hours of 6 May 1973 whereupon he was brought to PGI Hospital, Chandigarh. Shiv Kumar Batalvi died in the 36th year of his life on 7 May 1973 in PGI Hospital, CHANDIGARH. Shiv did not die in the hospital. He died in his inlaws house in Kirit Mangayal where he went to meet his wife and kids. He never moved there. He moved from Chandigarh to Batala only.
Legacy
One of his anthology, Alvida (Farewell) was published posthumously in 1974, by the Guru Nanak Dev University, Amritsar. 'Shiv Kumar Batalvi Award' for Best Writer, is given each year.
In media
Many of his poems were sung by Deedar Singh Pardesi. Jagjit Singh-Chitra Singh, and Surinder Kaur, have also sung many of his poems. Nusrat Fateh Ali Khan's rendition of one of his poem "Maye ni Maye" is known for its soulfulness and imagery. In a recent album, Rabbi (2004), by Rabbi Shergill features, his poem, "Ishtihar". Punjabi folk singer, Hans Raj Hans also did a popular album, 'Gham', on the poetry of Shiv Kumar. In 2005, a compilation album was released, titled, Ek Kudi Jida Naa Mohabbat... 'Shiv Kumar Batalvi, with numbers sung by Mahendra Kapoor, Jagjit Singh and Asa Singh Mastana.
In 2004, Punjabi play titled Dardaan Da Darya based on the life of Shiv Kumar was performed at 'Punjab Kala Bhavan', Chandigarh.
Several of his poems have been adapted for movies, e.g. "Ajj Din Chhadeya Tere Rang Varga," was adapted in 2009 Hindi movie Love Aaj Kal which became an instant hit.
In 2012, Album titled "Panchee Ho javan" based on same titled poem written by Shiv Kumar Batalvi was sung by Jasleen Royal and the album also contains another song "Maye Ni" based on the poem "Maye ni Maye".
In 2014, rap duo "Swet Shop Boys", consisting of Indo-American Himanshu Suri, and British Pakistani Riz Ahmed, released a song entitled "Batalvi" which sampled Shiv Kumar Batalvi's own recitation of Ek Kudi Jida Naam Mohabbat from an interview done with Aikam TV in the early 1970s. The songs lyrics explore issues regarding cultural identity faced by many second-generation south Asians living in the west.
Also in 2014, Pakistani pop singer Sarmad Qadeer scored a hit single on the official Asian Download chart in the UK with his interpretation of "Maiye Ni Maiye".
His poem"Ek Kudi Jihda Naam Mohabbat Ghum Hai"Featuring Alia Bhatt sung by Shahid Mallay later reprised by Diljit Dosanjh featured in Udta Punjab.
Works
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- Piran da Paraga (The Scarf-ful of Sorrows) (1960)
- Mainu Vida Karo (Bid Me Farewell) (1963)
- Gazlan Te Geet
- Aarti (Prayer) (1971)
- Lajwanti (Touch Me Not) (1961)
- Atte Dian Chirian (The Sparrows of Dough) (1962).
- Loona (1965)
- Main Te Main (I and Me) (1970)
- Dardmandan Dian Aahin
- SOG
- Alvida (Farewell) (1974)
- Shiv Kumar: Sampuran Kav Sangreh (Complete Works); Lahore Book Shop, Ludhiana.
- Birha Da Sultan, (A selection from Shiv Kumar Betalvi's poems), Selected by Amrita Pritam, Sahitya Akademi, 1993. ISBN 81-7201-417-1.
- Luna (English), tr. by B.M. Bhatta, Sahitya Akademi, 2005, ISBN 81-260-1873-9
